The new Pentax 17 has generated significant interest in the world of analog photography, being the first analog camera launched since 2004 when Nikon introduced the F6 (excluding the re-release of the Leica M6 in 2022). The Pentax 17 represents an exciting return to the past with a look to the future. It is a half-frame film camera that stands out for its modern features and retro design, ideal for analog photography enthusiasts and those seeking a unique shooting experience.
The Pentax 17 features a compact and well-finished, design, combining modern elements with a vintage touch
reminiscent of cameras from the '70s and '80s. The lightweight body makes it easily portable, although not as pocketable as modern digital compact cameras.
The construction materials provide a sense of robustness and quality.
The camera has three strap lugs, offering various carrying options, and a convenient rear slot for inserting the label of the used film roll.
At the heart of the Pentax 17 is a fixed 25mm f/3.5 lens, offering remarkable image quality for a camera of this type. With the half-frame format, each 35mm frame is split into two vertical images, maximizing film use. This format is particularly suitable for sharing on social media, where vertical images have become the standard. However, it is still possible to take horizontal images by rotating the camera vertically (yes, you read that right). This may not be intuitive for those used to shooting with traditional 35mm cameras.
The Pentax 17's viewfinder is bright and clear, with framing lines for focusing at different distances. However, these lines can be difficult to see in certain lighting conditions, requiring some practice. The right side of the viewfinder features LEDs that provide information on the flash status and film advancement.
The controls on the Pentax 17 are intuitive and well-placed. The top plate features the on/off switch, a dial for selecting shooting modes, an exposure compensation dial, and the exposure counter. Additionally, the manual ISO selector and shutter button are easily accessible and provide satisfying tactile feedback.
The Pentax 17 offers various shooting modes, making it versatile for different types of photography. The modes include:
These modes allow for different shooting situations, from portraits to night photography, with ease.
Using the Pentax 17 is a rewarding experience for analog photography lovers. Manual focusing with a ring around the lens, along with distance symbols projected in the viewfinder, facilitates adjustments without looking away. The camera supports a minimum focusing distance of 24 cm, allowing for precise close-up shots.
Despite some minor issues, such as difficulty seeing the framing lines in certain lighting conditions and overly bright LEDs, the Pentax 17 proves to be a well-designed and enjoyable camera to use. The build quality and tactile feel of the controls are reminiscent of the best cameras from the '70s and '80s.
As of the time of writing this article, the launch price is 549 euro.
The Pentax 17 captures the spirit of analog photography in a modern and functionalformat. Its compact design, various shooting modes, and lens quality make it an excellent choice for those who want to explore or rediscover the joy of film photography. While it has some minor limitations, these do not overshadow the overall positive experience it offers.
With this model, Pentax demonstrates that film photography still has much to offer, both for nostalgics and new enthusiasts seeking an alternative al digitale. to digital. In an era dominated by smartphone cameras, this half-frame camera stands out for its uniqueness and the tactile pleasure of each shot.
In my opinion, the Pentax 17 represents an interesting compromise for those new to analog photography but cannot be considered the best practice. Being a half-frame camera, each roll produces double the standard frames (72 frames for a 36-exposure roll). This is not ideal for those who want immediate image use (like social media enthusiasts). Additionally, for those who want full control over lighting, the Pentax 17 may not be the best choice as it does not allow manual adjustment of shutter speeds and apertures.
In conclusion, special praise goes to Ricoh/Pentax for pioneering during this resurgence of analog photography, with the hope that many others will follow their example. Bravo!
